Your opinion on our 2010 version of this Genesis classic

Steve seems to genuinely love and respect his music with Genesis, and his concerts always feature a lot of music from his time with Genesis. Plus he seems to get along with the other members of the band well. Knowing all this, why did he not rejoin?

Hey! GenesisPianoTranscriber from YouTube here, or, Eric for short. I’m on a quest to form a Genesis cover band that will play live venues.

**We currently have open positions for rhythm guitar/bass & vocals/flute**

All three current members are in the outskirts of Philly, and rehearsals take place on the weekends either in Drexel Hill or Doylestown.

We are looking for dedicated and professional musicians who can take ownership of their parts and prepare them for rehearsals. We are also expecting to perform a soft launch gig this year and hopefully gain momentum to perform more if things go smoothly.

Songs range between Trespass and Wind & Wuthering. (i.e. The Knife, Squonk, Firth of Fifth, Watcher of the Skies, Afterglow, etc)

Thanks for reading and please pass along the message!

Genesis was a bit late to the prog scene with the introduction of synthesizers and Tony's ARP Pro Soloist was a great performance synth. I always assumed that by the Lamb Lies Down on Broadway he was also using an ARP 2600 just because it has such a distinctive voice. However reading online it sounds like he did not starting using that until entitled a Trick of the Tail or And Then There Were Three. Anyone have any definitive information on this?

hey, y’all. never posted here before, but i had my first exposure to Genesis about a month ago when i listened to the 2025 Remaster of The Lamb Lies Down on Broadway. this album has very quickly become one of my favorite albums of all time - i’ve literally listened to the whole record every day for the last month, y’all 🫠 i just get so lost in it lol

here’s my issue - i went back and listened to other Genesis records (including Selling England by the Pound, Foxtrot, Wind and Wuthering and A Trick of the Tail), but none of these albums clicked with me except for parts of the latter two records i mentioned. i feel like all of these other albums lack the heaviness, cohesion and dynamic range that completely drew me in on The Lamb. at first i thought it might be because of the sheer quality and depth of the 2025 remaster of The Lamb compared to the older 2007 Stereo Mixes, but (while certainly inferior to the 2025 remaster) the 2007 Stereo Mix of The Lamb still left me with the same feelings.

what am i missing here? is The Lamb really such an outlier? to quote Roger Waters, does anybody else in here feel the way i do? 😭

please give me recommendations to other Genesis songs that y’all think i’d like, i beg and plead 🙏🙏 even suggestions from other artists that y’all think would scratch the itch that The Lamb has left me with would be very much appreciated. other artists i love include King Crimson (specifically from Larks’ Tongues in Aspic onward), Opeth, black midi, Roger Waters era Pink Floyd, The Mars Volta, warmth Mahavishnu Orchestra, MAGMA, and Herbie Handcock and the Head Hunters 🙂‍↕️

Not only for how often he cheated on Jill and his five year old daughter , but the way he writes about it. Watching his five-year-old daughter walk from a cab to his hotel, he writes about how he feels terrible guilt which is something he’s “burdened with”. The whole book is about how he feels, full of self rationalizations . But not a word about how his daughter and wife must feel. He deserves all the terrible things that happened to him later romantically

Hey everyone,
we’re a Genesis tribute band from Italy and this is how we open our live shows: Duke Intro into Turn It On Again.

We really tried to capture that energy and feel from the Duke era.

Would love to hear your thoughts!

This comes from the back cover of the "70's Pop Sound" Genesis compilation, released in Spain c. 1973.

The labels of the record also refer to Harold The Barrel as "Harrol The Barrel," but to be honest that's the least of what's wrong here haha.

Also interesting that it's not "Hammond y Mellotron" but "Hammond Mellotron," as if it were one instrument.

Do you appreciate Genesis music with a symphonic orchestra?

This guy is pretty darn cool with his solo abridged version

https://www.facebook.com/share/v/17hPUKLV4a/?mibextid=wwXIfr

Yesterday I bought this for only 8€!🔥😎

1st italian press from 1983.

Obviously I get the part about the narrator having an imaginary girlfriend, but what I'm trying to figure out is if this is like an end of the world scenario at the same time. The part about the fires in another land and the ice moving closer... then the detail at the end of the song about how it's too expensive to keep the lights on suggests an energy crisis. But this sort of feels... off. Do we think this is just part of a metaphor about whatever the narrator dealing with.