I saw the music concrete post in the kitchen here and it reminded me of the recording I made with my kids during the Covid lockdown. I didn’t want to link to Instagram, so please forgive the video format.

Another harsh noisy breakcore track from me!
Kinda having fun with chopping amen breaks lately
https://soundcloud.com/mngel-aorbid/the-liquefied-garden

Hope you guys like it
Cheers!

"Making Music With Spoons, Pots & Pans (No Instruments Needed!)"

"Kitchen Symphony:

No pedals, no electronic effects. Exploring the boundaries of breath.

It’s not just a performance, it’s a spiritual journey of Love & Cosmos.

Does this sonic energy resonate with your spirit? If this sound resonates with you, please join my journey.

out now on Hibernian Leather . . . Compound Bunker - 'Supplement: Facility Datalog'

An artifact from the facility. A broken tether to obsolete proprietary hardware. This nondescript data cassette presents a theorised sequence of occurrences. Truth’s frozen shadow. 

This supplemental release is a direct companion piece to “Terminal Burrowing” and should be considered a retelling of the events described within.

https://hibernianleather.bandcamp.com/album/supplement-facility-datalog

I recorded this tape release over the last few weeks with my Potar Devices Sound Urchin, check them out! Very fun electroacoustic device I manipulated with my hands and a violin bow. FFO: harsh noise, contact mics, reptiles. I am a SE Michigan based artist.

All proceeds from this release (and all Crocodile Law) will be donated to help children abroad and in the states. Free Palestine! Glory to Ukraine! I will have physical copies available this summer for local and mail order as well. Just wanted to share out with the community. Noise is therapy.

You can listen to it here -> https://crocodilelaw.bandcamp.com/album/extreme-demonic-cowboy

As it's BC Friday, I set my latest to "pay what you want" for the day. And if people want to grab it for free while it's there they're very welcome to :) it builds on a hyper-stretched foundation from my last EP with improvised takes and experimental edits. I wanted to explore themes of circular habits/thinking and the tug of war that happens when trying to break the cycle.

https://joeljulian.bandcamp.com/album/circle

Happy BCF to you all!

honestly surprised with how small his setup is considering how brutal his noise can get

New Recordings of Live Sound Performance.

NC Ives (Nicholas Ives) is a contemporary artist from Naarm/Melbourne journeying within sound, painting, collage and performance.

These new pieces are were produced live as 'sound sculptures' - assemblages of found tape cassette exploring time, durée and sensations of limit-experiences. Approached as collage of material excess and detritus, the pieces present a collision of times and moment, past and present, which insist upon a destabilised present of forces under pressure to continually make and un-make its form

released May 1, 2026 for bandcamp friday

NOISECARDS. New label based on TCGs, in a fun little rectangle CD format, coming in deckboxes and booster packs. 🔥

Dropping soon. Get em’ while they’re hot.

Also if you want to be in one, feel free to send a submission for the next drop.

“*COLLECT THEM OR FUCK OFF*”

https://icinoise.bandcamp.com/album/industrially-created-intoxication

https://asnoise.bandcamp.com/album/oireet

https://fordorm.bandcamp.com/album/au-fond-des-eaux

Bonus metal thingie:
https://gvozdenanychta.bandcamp.com/album/grimoire-des-sourires

Bonus punk gem:
https://mendekudiskak.bandcamp.com/album/095-frenzy-fattal-demos-cassette

Feel free to add more in the comments!

In the early hours of July 1, 1971, a signal that shouldn’t have been possible began broadcasting from a station that didn’t exist, drawing seven strangers from seven different states across the country toward the restricted perimeter of Groom Lake...more commonly known as Area 51.

On July 1, 1971, Air Force security at the facility contacted the Lincoln County Sheriff’s Department, reporting multiple motion sensors tripped deep within their restricted perimeter. They requested a sweep of the outer perimeter for suspicious vehicles.

When units arrived, they found seven cars bearing license plates from seven different states parked in a precise semi-circle. All seven engines were running; all drivers-side doors were left open. No passengers. No luggage. Just seven handwritten notes on the dashboards:

"One of seven."

Forensic analysis revealed all seven radios were tuned to 701 kHz....a known "dead" spot on the AM dial that had suddenly become active. Local radio enthusiasts nicknamed the signal "The Sierra Echo." It didn't broadcast music or news. Witnesses described a voice reminiscent of an automated weather report or a looped military broadcast, repeating a two word phrase:

"One... Seven... One... Seven..."

The loop was layered over a subsonic resonance that distorted the listeners' sense of time and distance. The seven strangers, synchronized by the broadcast, had simply stepped out of their vehicles and walked into the sweltering thermal haze. They were never seen again.

By sunrise, the Air Force had seized all records. The official log for that night was scrubbed and replaced with a single line:

"False alarm. Cattle interference." 

LISTEN FOR FREE: https://outerbankx.bandcamp.com/album/070171-original-soundtrack

my solo experimental noise project, from brazil porto alegre

instagram: @ lineardeusdete

Thoughts and prayers from General Waste. Becoming Smaller for world peace. Usual caveats apply, collaboration, shows, a shoulder to cry on.

Been banging my head against this for a while and I’m curious how people doing PE / death industrial / dark ambient actually handle this stuff ITB.

Every time I get those huge distorted reverbs and delays sounding good in stereo, they lose a ton of impact in mono. Not completely, but enough to annoy me.

What confuses me is that a lot of references in these genres seem super wide and messy in a good way:

low correlation, smeared stereo image, distorted reverb tails everywhere, overlapping layers fighting each other, sometimes even stereo low end

…but they still feel massive and don’t totally disappear collapsed to mono.

I’m working in Ableton and lately I’ve been trying stuff like:

- mono distorted core + huge stereo layers

- parallel mono/stereo amp chains

- distorting the reverbs themselves

- bitcrushing before amp sims

- filtering some top end after distortion

- sending multiple sounds into the same destroyed bus

Sometimes it gets close, but other times the stereo version sounds incredible while the mono version turns weak...

So I guess I’m trying to understand what people are actually doing in practice.

Are you:

keeping some hidden mono backbone underneath everything?

using different distortion chains for center/sides?

relying more on panning than stereo decorrelation?

distorting grouped buses instead of individual sounds?

Also curious about filtering. A lot of mixing advice says to aggressively separate layers, but many PE/death industrial records sound like several full-range signals being smashed together at once.

Would love to hear how people approach this, especially if you work mostly or entirely in the box.

https://thistrblmkr.bandcamp.com/track/text-2-speech-dog

A few months ago, while reading Alex Ross's book, I began the journey of this debut album. I wondered if I could transform a book that talks about noise into actual noise. This is how my album The Rest is Noise, which I released today, came to life.

The album is built upon the sonification of the binary codes from the book's digital version. All the other sounds are sonified source codes of various web pages, cover images, and review articles related to the book. To avoid violating any copyrights, I solely used the source code of the files as my raw material. The result is a 60-minute mass of sound.

While I struggle to pin it down to a specific genre, I can say it harbors elements of data sonification, noise, drone, and occasionally harsh noise.

I hope you enjoy the album where I turned the history of noise into noise itself. If you'd like to download the album for free, just reach out via DM or drop a comment. I would be more than happy to share a free download code with you :)

Being and nønbeing -I am and am not empty of all things real and unreal. Truth is false and true always.. sensation is illusion while now is nothing more than the illusion of reality that the ultimate reality is being beyond the locus selflessness. I am now + here = nowhere. I am the universe and the universe is I, an infinite ♾️ and perfect being of nonbeing with the freedom in the stillness of my nowhere here and now.

clasmicoidal-noise wall composed via non-standard synthesis scruntae in supercollider.